Development Hacks

Oct 19 • 3 min read

AfroTalks 2025 - notes and reflections


The AfroTalks 2025 conference gathered a rare mix of thinkers, creators, and changemakers confronting Africa’s paradoxes — a continent bursting with creativity yet trapped in cycles of “anyhowness.”

That word, thrown around with humor and pain, captured a deep truth: Africa’s tolerance for mediocrity. The bar, too often, is set low, and worse, we’ve made peace with it.

From governance to culture, participants noted how Africa’s biggest constraint isn’t just management of resources, but mindset.

A collective comfort with “it’s fine” when it isn’t. Whether in public services, creative industries, or leadership, “anyhowness” has normalized inefficiency and dulled aspiration.

Banter before the event

This wasn’t the same ol’ banter about Nigeria vs Ghana jollof. It was about how thick Nigerian soups are vs. the World’s light/runny soups.

Watch my video about it here.

Selective outrage and the politics of blood

It was International Day of the Girl Child - October 11. Violet Ejiata delivered one of the most memorable lines of the day: “We preserve and photograph the blood from war, but we shame menstruation.”

Echoing the theme of Chris Rock’s Selective Outrage TV special, her talk exposed society’s hypocrisy. A world at ease with blood from violence but uneasy with the natural flow of blood from menstruation.

Watch my reflections on the session here.

Data, design, and the digital imagination

Dr Ashley Milton’s segment merged art and technology. Using poetry and the metaphor of basketball’s “triangle offense,” she introduced the Receipt App. A project focused on building Africa’s data infrastructure.

She noted that Africa is “the most documented continent of extraction, but the least documented of experience.”

Her work aims to flip that using tech to capture how Africans live, not just what’s taken from them.

Decoding, disrupting, and (re)designing the matrix

Economist Mariama Jalloh asked a question that lingered long after her talk: “Who feeds Africa and its systems?” She challenged the audience to rethink the political, financial, and intellectual architectures shaping the continent’s dependence. Her framework; Decode, Disrupt, (Re)Design became a kind of mantra for the entire conference.

Stories as the new resource

We are all stories and our stories are the one inexhaustible natural resource in Africa!

Somto Ajuluchukwu from Vortex Comics made this very clear during his session.

From folktales to films, the takeaway was clear: storytelling is not decoration; it’s nation-building.

The narratives we tell make or break nations. Somto showcased various stories adapted from Africa’s spiritual realms, culture, and history.

Japan was cited as a model, exporting culture through manga, anime, and cuisine.

The lesson was clear: Africa’s folktales and myths are not relics but blueprints for pop culture, creative economies, and collective identity.

Reclaiming platforms and presence

Chichi Vanessa’s reflections on pageantry as impact reframed beauty contests as cultural diplomacy. Her metaphor, “grace in the matrix” captured how African women navigate and redefine systems built elsewhere.

Panel discussion

Featuring Mariama Jalloh, Yusuf Durodola, and Onuorah Obed popularly known as “modern-day town crier,” the panel discussion was about Africa’s obsession with the West’s Validation.

The discussion pushed for a cultural shift from seeking acceptance to building confidence that commands respect.

Conscious Partnerships

The Mbadiwe twins’ talk argued that transformational partnerships outperform transactional ones. They were particularly of the opinion that being a high-agency person of value that attracts valuable networks is very important.

They highlighted terms such as “Positive Reverse Networking” and “Positive Metaphysical Manifestation” and called for a shift to collaboration rooted in shared purpose, mutual growth, and what he termed

Masah Samforay tied it all together through her personal experience over the years being at crossroads, revisiting W.E.B. Du Bois’ and James Baldwin’s meditations on double consciousness.

She explored how Africans exist at crossroads (between worlds, narratives, and futures) and how that liminal space can become a site of power, not confusion.

Closing Reflection

By the end, AfroTalks 2025 felt like both a summit and a séance summoning Africa’s unrealized potential and daring attendees to exorcise complacency.

The recurring message: Africa doesn’t lack vision, talent, or stories. It lacks structure, coherence, and collective seriousness.

The continent’s next frontier won’t be found in minerals or markets but in mindset, media, and meaning in how Africans decode their history, disrupt inherited systems, and redesign their reality.


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